Somehow, as often happens with my friend Todd, we got on a search for something cheesy and random. In this case, we got stuck perusing the entertaining TV Cream site’s theme song collection. Sadly, not all of them are the original recordings, but some are or are close enough for government work.
One bit of cheese that was too much dairy even for Todd was the Wonder Woman theme. I was never a fan of comic books in general, nor Wonder Woman in particular, but I did watch a bunch of episodes of hte Linda Carter series on weekday afternoons in elementary and middle school (you would not believe how little there was on TV in those days, particularly living in Taliban-wannabe South Carolina–we actually thought Diff’rent Strokes was entertaining, and not in a retro-camp kind of way). Being the only really breakout comic featuring a female superhero, it has an iconic status far beyond its sales, deeply intertwined with the modern feminist movement–none of which I was aware of until much later. However, that piano bass line is one of the underrated masterpieces of the TV genre, right up there with Barney Miller, and always gets me rockin’. Unfortunately the rest of the song doesn’t hold up to it, but that just served as a vehicle for me to remark that Joss Whedon, who Todd knew from my relentless flacking of Serenity, was hired to write and direct a Wonder Woman movie.
This of course led to a hunt for who was going to play Wonder Woman (nothing decided yet, sorry fellas hoping for hot actress shots) and seeing a bunch of interviews with Joss about it. In it he mentioned something I’d wondered about: he was definitely going to work in the bracelets, an updated version of the tights (well, duh), the golden lasso that makes people tell the truth, above-normal strength (no flying, possibly jumping), and the invisible plane if he could work it in. He mentioned that a key element would be that it’s an origins story, and it would treat Wonder Woman as a young woman or late teen new to our world, and coming to grips with its less savory aspects.
Of course, he gave no specifics and at this stage of the writing there may not be (m)any. But it set me to wondering tonight, as my brain did a weird turn as it is wont to do: how could you piece a story together that has a woman acquire or already have super-strength, get bracelets, the lariat, and maybe a jet–and want to cover herself in something at least somewhat patriotic (to the USA or some star-spangled red-white-and-blue country–sorry, Canadians).
So here’s my guess, based on pure speculation and almost no familiarity or great caring about the original material:
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